The music of Justina Repečkaitė has many similarities to a diamond. With its hard unforgiving shape and geometric perfection, it creates a profound and striking beauty, which singles her out from many composers of her generation.
Her work is highly modernistic giving almost nothing away to the listener, but in its boldness drags the audience along with her. The fascination with the end of medieval world is one of the driving forces behind her and has led to the production of some of her many striking works like ‘Chartres’ (2012) or ‘Acupuncture’ (2014). (more…)