On 16 March 2026, Justina Repečkaitė will give a composition masterclass at the Conservatoire of Boulogne-Billancourt, near Paris, for Jean-Luc Hervé’s composition class. More information here.

Saturday, March 14, 2026 at the So Percussion Studio
20 Grand Ave - Brooklyn, NY 11205
exact time tbd

Recah Pecahan - Dewa Alit
Made in Canada - Erin Rogers
Pulsating skin - Justina Repečkaitė
***Popebama set tba***

Talujon percussion group first performed Pulsating Skin (2021) for 4 snare drums and electronics back in 2024. Described by the New York Times as possessing an "edgy, unflagging energy," Talujon is dedicated to advancing contemporary percussion music through a variety of performances, commissions, educational programs, and outreach activities. The ensemble consists of percussionists Ian Antonio, Caitlin Cawley, David Cossin, Matthew Gold, Tom Kolor, Michael Lipsey, and Matt Ward.

Pulsating Skin (2021) premiered at the Darmstadt Summer Course in 2021 and has since been performed in Basel (CH), Shanghai (CN), Feldafing (DE), Paris (FR), Cracow-Warszawa (PL) and NY (USA).

Review of Concertina-fold almanach on Diapason by Pierre Rigaudière on article Georges Aperghis, héros du festival Présences 2026.

Commissioned by Radio France, Justina Repečkaitė’s Concertina-fold almanach, was premiered by accordionist Vincent Lhermet on the 7th of February 2026 during the concert Tingel Tangel at Studio 104, Maison de la Radio.

The concert will be broadcast on France Musique on March 11 at 8:00 p.m.

Justina Repečkaitė’s composition La muë (2024) co-comissioned by IRCAM tand the Centre de musique baroque de Versailles for serpent, children’s choir, and electronics — will be broadcast on France Musique on Wednesday, February 11, 2026, at 21:35 in the program Le Concert du soir (host Arnaud Merlin), within the section Nouveautés du disque. Listen here. La muë starts at 01:36:20.

Performers: serpent player Patrick Wibart, Les Pages of CMBV conducted by Clement Buonomo and the Ircam team. Recorded during the premiere 27 April, 2024 at Salle Espro, IRCAM.

La Muë (2024) features in Repečkaitė’s album Tapestries (2026) that will be released by the Music Information Centre Lithuania this Spring.

After its French premiere at the Philharmonie de Paris in 2024, Justina Repečkaitė’s Vellum (2020) will be performed again in Paris by the Sorbonne University Orchestra, conducted by Nicolas Agullo.

The concert, entitled Paris – Vilnius, will take place on December 8, 2025, at the Grand Amphithéâtre of the Sorbonne. The stage will be shared by the Sorbonne University Orchestra and the Gaudeamus Choir (LT), featuring works by Donatas Zakaras, Mikalojus Konstantinas Čiurlionis, Julien Joubert, Justina Repečkaitė, and Francis Poulenc.

The Ensemble for New Music Tallinn, conducted by Arash Yazdani, performed Millefleur (2025) once again at NAXOS Hallenkonzerte, Frankfurt on 🗓 23th November 2025.
The programme, featuring the torupill performer Katariin Raska, also included works by William Dougherty, Arash Yazdani, Liisa Hirsch, and Klaus Lang.

Millefleur was commissioned by Lithuanian National Radio and Television and received its premiere on October 17 2025 at the Energy and Technology Museum in Vilnius, as part of the Baltic Music Days 2025 - Music Autumn (Muzikos Ruduo) festival.

The Ensemble for New Music Tallinn has frequently performed Repečkaitė’s music since the first edition of the Baltic Music Days in Tallinn in 2021. In 2025, the ensemble was awarded the Siemens Music Prize, recognising its sustained commitment to contemporary music and its exceptional artistic work.

In November Tomek Szczepaniak will give a Polish premiere of Pulsating skin (2021) at festivals - Audioart festival Kraków (November.16) and Hashtag Lab, Warszawa (November 22). Premiered in Darmstadt Summer Course 2021 by 5 performers, Pulsating skin has since been presented in various versions across six countries. Tomek Szczepaniak, appointed teacher at the Conservatory of Poznan, is an accomplished performer who has performed at the famous Warsaw Autumn.

After its premieres in France and the UK, Stalactite (2016) for solo piano will be performed for the first time in Lithuania by Martyna Kučinskaitė. The concerts will take place on October 18 at the Ąžuolynas Library and on October 25 at the Birštonas Kurhauz. The concert, entitled “Piano Works by 21st-Century Lithuanian Women Composers,” features music by Žibuoklė Martinaitytė, Zita Bružaitė, Loreta Narvilaitė, and Justina Repečkaitė. Martyna is also recording these compositions, which will be made freely available on major online platforms.

Justina Repečkaitė has received a commission from Lithuanian National Radio and Television to compose Millefleur for the Ensemble for New Music Tallinn, conducted by Arash Yazdani. The piece will be premiered on October 17, 2025, in Vilnius, during the Baltic Music Days 2025 - Music Autumn (Muzikos Ruduo) festival.

New Sound Expedition podcast, hosted by Rasa Murauskaitė-Juškienė: “Justina Repečkaitė: The Middle Ages were a long time ago, and that’s why they so strongly spark the imagination.”

Listen to the podcast Sound Expedition, hosted by Rasa Murauskaitė-Juškienė, where Justina speaks in Lithuanian—voice a little broken but enthusiasm intact—about her latest projects.

Excerpts from her compositions:

Vellum (2020) for orchestra, to be played again in Paris this December,

Sfäärit (2025) for harpsichord, organ, and electronics, premiered in Musica Nova Helsinki,

Tapisserie (2015) brand new Ensemble for New Music Tallinn recording for her upcoming album Tapestries,

Whispering skin (2024) for percussion & electronics, performed by Eklekto,

La muë (2024) for serpent, children’s choir and electronics, Ircam.

Repečkaitė’s  composition Millefleur, commissioned by LRT Klasika, will premiere 17th of October.

On 17th September 2025, Justina’s composition Ciclo Continuo (2021) will be performed by Miguel R. Fernández de la Fuente (saxophone) and Santiago Villar (percussion) at the Basel Academy of Music, , as part of the Altstadtserenaden 2025 concert series.

"La muë" (2024) for serpent, children’s choir, and electronics has been awarded in Lithuania as part of the 2024 Lithuanian Composers’ Works of the Year. Premiered at IRCAM in Paris, the work will also be featured on Justina’s upcoming portrait album “Tappestries”!

Premiered on the 27th of April, 2024 at salle Espro, IRCAM, by the serpent player Patrick Wibart, Les Pages of CMBV conducted by Clement Buonomo and the Ircam team: the computer music designer João Svidzinski and sound engineer Jérémie Bourgogne. Co-commissioned by IRCAM - Centre Pompidou and the Center of Baroque Music Versailles - CMBV.

6th of May, Ugniavystas, commissioned by ACCENTUS, will be premiered by Le Jeune Choeur de Paris in the concert Tonalités boréalesat CRR de Paris.

The title Ugniavystas derives from an archaic Lithuanian word describing something fire-colored, bright red, or fiery. In one of the charms, the phrase ugniavystas kraujas can be translated as “fiery blood” or “blazing red blood.”

30th of April, 2025, pianist Talvi Hunt will perform  Sturnus vulgaris cohibitus(2020) for piano and transducers as part of the Broken Frames Syndicate concert program  How Dare You? #2,  at Academie für Tonkunst, Darmstadt, Germany :

new chamber music and climate crisis
pieces by Kaija Saariaho, Laura Bowler, Sara Zlanabitnig, Peter McNamara, Dai Fujikura and Justina Repečkaitė

with Katrin Szamatulski (flute), Nathan Watts (cello), Talvi Hunt (piano)